Audio-damage DubStation Bedienungsanleitung

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DubStation User’s Guide
Audio Damage, Inc.
Release 1.5
9 April 2008
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Inhaltsverzeichnis

Seite 1 - Release 1.5

DubStation User’s Guide Audio Damage, Inc. Release 1.5 9 April 2008

Seite 2

synchronization features to work. If your VST host cannot supply tempo information, DubStation assumes that the tempo of your music is 120BPM. 5. The

Seite 3 - License Agreement

only the original signal, which isn’t terribly useful but is sometimes handy if DubStation is feeding back wildly and you need a reminder of what star

Seite 4

controllers. If you are assigning a button or switch on a MIDI controller, you may have to press or move the switch twice before DubStation recognizes

Seite 5 - System Requirements

The information in this document is subject to change without notice and does not represent a commitment on the part of Audio Damage, Inc. The softwar

Seite 6 - New in Version 1.5

License Agreement BY INSTALLING THE SOFTWARE, YOU ARE CONSENTING TO BE BOUND BY THIS AGREEMENT. IF YOU DO NOT AGREE TO ALL OF THE TERMS OF THIS AGREEM

Seite 7 - Operation

been subjected to abnormal physical or electrical stress, misuse, negligence, or accident, or (d) is used in ultrahazardous activities. DISCLAIMER. EX

Seite 8 - The Controls

Introduction Thank you for purchasing DubStation, Audio Damage’s plug-in for emulating vintage delay effects. DubStation realistically recreates the s

Seite 9

New in Version 1.5 Version 1.5 of DubStation includes several enhancements suggested by our customers. Here is a summary of the changes:  A shiny ne

Seite 10

Installation Double-click the DubStation Installer icon, and follow the instructions. During the installation process the installer will ask you to en

Seite 11 - MIDI Controllers

The Controls 1. The INPUT DRIVE knob controls the level of the signal as it enters the plug-in. The range of the knob is -80dB, which effectively tu

Seite 12 - And Finally…

2. The HI-CUT knob controls a low-pass filter which attenuates the high frequencies of the signal as it passes through the delay. This filter models

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