The MODE switch to the right of the sliders chooses the response mode of the filter. The modes are:
LPF: low-pass filter. This mode causes the filter to attenuate or reduce signal frequencies higher than
its operating frequency (set by the FRQ slider) and pass unchanged signals lower than its operating
frequency. Low-pass filters are the most commonly used filters in synthesizers and effects processors.
HPF: high-pass filter. This mode causes the filter to attenuate signal frequencies lower than its
operating frequency and pass unchanged signals higher than its operating frequency.
BPF: band-pass filter. This mode causes the filter to attenuate signal frequencies higher and lower
than its operating frequency, and pass signals near its operating frequency.
Click on the abbreviated name to change the filter’s response mode.
The SNAP switch at the right of the panel determines how the tap dot moves horizontally when you drag it
with the mouse. If the SNAP switch is on, the tap dot will jump from one vertical grid line to the next as you
move it; that is, it will snap to the nearest line. This lets you easily set the tap times to rhythmically useful
values, since the grid lines divide the delay time into 16 units. If the SNAP switch is off, the tap dot can be
moved freely within the grid. The SNAP switch has no effect on the vertical movement of the tap dot.
The SOLO and MUTE buttons near the top right of the panel behave like the solo and mute controls on a
mixer. If you click on the SOLO button, you will hear only that tap’s signal in Ricochet’s output. Only one tap
can be soloed at a time. If one tap’s SOLO button is turned on and you click on a different tap’s SOLO button,
the first tap’s SOLO button will be turned off. The MUTE button silences a tap. More than one tap can be
muted. The SOLO button takes precedence over the MUTE button; you can solo a muted tap without first un-
muting it. The solo and mute status of the taps is reflected by the color of the tap dots. A muted tap has a red
dot and a soloed tap has an olive dot.
Text indicating which tap, 1 through 5, appears at the upper right of the popup panel. This numbering does
not affect the order of the taps along the delay line; for example, there’s no reason that tap #3 has to have a
longer delay time than taps 1 and 2. The reference numbers for the taps are only useful if you’re examining
automation data for the plug-in.
(11 Seiten)
Manymanuals.com
Manymanuals.de
Manymanuals.fr
Manymanuals.it
Manymanuals.pl
Manymanuals.cz
Manymanuals.es
Manymanuals-pt.com
Kommentare zu diesen Handbüchern